Daisypath Anniversary tickers
Showing posts with label mibu. Show all posts
Showing posts with label mibu. Show all posts

Sunday, October 16, 2016

Hi Awak

Macam ni lah kalau nama pun kerja kan? so semalam dan kelmarin ingat nak taip sesuatu di blog tapi tak jadi sebab sibuk dengan hal sendiri. Biasalah bila dah berkahwin ni tak banyak aktiviti yang merangsang minda dan fizikal tapi tetap ada untuk diri sendiri biar pun lambat, yelah asalkan kita bahagia kan.
Sekarang ni nak citer pasal pekerjaan sekarang, so aku faham mungkin tak berapa sesuai di jadikan topik tapi aku nak citer gak sebab ni kan blog aku nyehnyehnyeh. Mengikut pengalaman aku sekarang ni aku dah tak buat kerja grafik mahupun fotografi yang aku idam2 kan selama ini, termasuklah multimedia dan animasi serta kerja2 seni yang lain. Aku rindu sangat nak buat natam tu tapi yelah takde rezeki kot? aku cuba buat pada masa lapang tapi macam di atas lah kan memang tak sempat nak membuat dan meratah lagi la tak dan.

Selingan Video daripada Youtube


Sekarang ni aku berkait rapat dengan bisnes sawit dan perihal korporat di salah sebuah organisasi terkenal di kuantan. Aku tak bangga tapi aku bersyukur sebab ada kerja, Alhamdulillah. Pejam celik pejam celik dah masuk 7 tahun aku bekerja di sini, mana tak nya kerja yang banyak kan? start daripada aku berhenti kompeni hungka tu aku terus masuk ke sini. Kira aku start tu time aku baru kahwin dengan orang rumah aku tahun 2009. Merentas masa, melawan arus serta pelbagai lagi dugaan yang baru terpaksa la aku redahi eceh hahahahah, hanya rodong (kawan) aku sahaja yang faham berapa tahun aku dah menganggur, memang cemerlang gak lah buah anggur tu hahahahaha.

Oklah sekarang pun aku dah anak dua dan makin membesar dah diorang ni, pastu aku yang rasa perkara yang best ialah aku jumpa balik kawan sekolah vokay 1996 dulu. Cumanya takat ni aku jumpa baru lah 4 orang kira on dan off lah jumpa diorang kat kuantan. Memang kelakar bila beborak pasal cerita lama2 kat sekolah dulu, especially teringat sejarah kantoi tak solat subuh hahahaha tu biasa eh yeke? alamak kantoi hahahaha takpelah tu dulu time2 jahil kan.

Apa lagi ek aku nak cerita nantilah aku cerita pasal sekolah vokay yang femes. So sekarang aku ada keje nak sambung. 


Wednesday, August 24, 2016

Tips Panduan Membeli DSLR

Di sini bukan aku punya kandungan dan aku hanya berperanan untuk mengatakan penulis ini ada teori yang tersendiri. Dan bukan juga aku nak menokok tambah segala apa yang penulis cerita namun si penulis pandai di dalam pemilihan itulah yang paling penting. 
Untuk keterangan lanjut boleh melayari blog penulis ini

Monday, January 4, 2016

Jadi Pengasuh

Hari Ke-2 

Dah masuk hari kedua aku menjaga irfan namun aku tak rasa kesusahan; walaupun aku dengan dia tapi aku rasa macam rapat sangat hubungan dengan anak aku yang sulung ni. Macam biasalah waktu pagi tunggu ipan ni bangun,

Monday, December 14, 2015

Selamat Tahun Baru 2015

Assalamualaikum


Kepada semua penduduk 360 se-Malaysia amnya, saya (Syam "Shinchan" Chumil) ingin mengucapkan Selamat Menyambut Maulidur Rasullullah S.A.W dan Selamat Menyambut Tahun Baru 2016. Kepada yang mengenali diri saya; saya bersyukur akan kehadrat illahi dengan kurnianNya maka hubungan kita semoga dapat di kukuhkan dengan ukhwah dan agar sentiasa kekal abadi selamanya In Shaa Allah. Amin Ya Rabbal Alamin.

Mohon kepada pembaca di luar sana yang mungkin bukan penduduk Kampung 360, kami turut berterima kasih kepada anda kerana anda menyokong kami selama ini dan tanpa anda semua kami tidak dapat meneruskan perjuangan selama ini. Terima kasih.

Bagi penduduk Kampung 360, di harap pada tahun hadapan 2016 semoga kita dapat memeriahkan lagi kampung 360 ini dengan lebih banyak aktiviti mahupun makan-makan (i know right!). Jadi untuk tidak membuang masa dengan ini saya mengakhiri ucapan saya wabilahitaufikwalhidayah assalamualaikum.




Friday, October 30, 2015

Know Your Camera

COMPACT VS. DIGITAL SLR CAMERAS

Choosing between a compact (or "point and shoot") and a digital SLR camera is often the first big purchasing decision when starting out with photography. Not only is it potentially a big financial decision, but it may also determine what kinds of shots you'll be capable of capturing. This tutorial cuts through all the marketing hype in order to highlight only the most important differences between each camera type — thereby helping you to decide which one is best for you and your shooting style.
What exactly does it mean for a camera to be a compact (or point and shoot) versus an SLR? Strictly speaking, SLR cameras just have viewfinders that see the same light as the camera's sensor (more on this later), but in practice this isn't the only distinction. While the line between each continues to blur, these three differences usually* still apply:

 OVERVIEW
  1. Viewfinder Mechanism
  2. Fixed vs. Interchangeable Lenses
  3. Camera Sensor Size
There's also a range of more minor differences (which vary depending on the camera brand or model), the above three are often what most impact one's photography. The next several sections will focus on what these three differences actually mean in practice, and how your photography style will be impacted. At the end, we'll also discuss some of the other more minor differences between the two camera types.
*Notable Exceptions: The "Micro Four Thirds" or 4/3 standard has interchangeable lenses, but doesn't use the standard SLR viewfinder mechanism (Olympus/Panasonic cameras). Some budget SLR cameras may also have fixed lenses, and some high-end compact style cameras can have sensors that are nearly as large as an SLR — but each is the exception rather than the rule.
However, this deserves mentioning up-front: SLR cameras are usually MUCH more expensive than compact cameras — mostly as a consequence of the above three differences (we'll discuss why later). Also, unlike with compact cameras, purchasing an SLR camera is only part of the cost; you may have to buy additional lenses, an external flash and other accessories. These can even end up costing more than the camera itself.

1. VIEWFINDER MECHANISM

Unlike compact cameras, with an SLR camera what you're seeing through the viewfinder is the same light that will reach your camera's sensor when you press the shutter button:
compact camera viewfinder
Compact Camera
SLR camera viewfinder
SLR Camera:Mirror DownMirror Up
With an SLR, when you press the shutter button, the mirror flips up and the light that was formerly being re-routed to your eye instead gets sent straight to the camera sensor. Move your mouse over the buttons above to see how this works. The flipping up of the mirror is also what makes the characteristic clicking or snapping sound that we've come to associate with SLR cameras.
With a compact camera, the viewfinder mechanism instead just tries to estimate what light will reach the sensor, so it's potentially less accurate. Compact cameras may also use what's called an electronic viewfinder (EVF), which attempts to re-create what an SLR viewfinder would see — but by instead using the electronic image from the sensor.
Note: The above behavior is in fact why they're called "Single Lens Reflex" (SLR) cameras — because the same lens is used to produce the image in the viewfinder as is used to capture that image at the sensor, and the mirror reflects light to the viewfinder ("reflex" referred to the reflection in German). However, this terminology can be a little confusing, because SLR cameras are the type of camera that can use more than just a "single lens" — not compact cameras.
The need for a prism/mirror is one of the reasons why SLR cameras cost more (other than sensor size), and can make a big difference for a camera designer/manufacturer. However, in practice the sensor size and ability to change lenses will likely make more of a difference to your photography. This is especially true since many camera owners choose to use the rear LCD screen instead of the viewfinder.
On the other hand, if your work requires seeing exactly the light that will be captured, then you should certainly opt for an SLR. Otherwise, you can usually still see exactly how that light will be captured using either a compact or an SLR camera — by looking at the rear LCD in "live view" mode, and by using a live histogram.

2. FIXED vs. INTERCHANGEABLE LENSES

The fact that SLR cameras can change out their lenses is likely the first difference that one notices, or knows ahead of time. Yes, many compact cameras can use lens adaptors (especially the high-end variety), but the original lens still remains on the camera.
pentaprism in SLR camera
photo courtesy of scott bourne
Why would a camera need more than one lens? It is difficult if not impossible to design a single lens that can capture scenes using the wide range of styles commonly used by photographers — all without noticeably sacrificing quality and portability. Each style is therefore far better suited by a single, special purpose lens.
In practice, being able to use different lenses usually means that:
  • You'll be able to use wider lens apertures (lower f/stops), which will enable a shallowerdepth of field and/or better low-light performance.
  • You'll be able to use specialized lenses, such as ultra-wide angle lenses, fish-eye lenses and extreme telephoto lenses, which will give you more creative options.
  • You'll have the potential to achieve better image quality, primarily because your lens will likely have been more specifically designed for the task at hand.
For example, with portraits one could use a wide aperture (such as f/2.0 or less) in order to create a smooth out of focus background and isolate their subject. Alternatively, with architecture one could use an ultra-wide angle lens that's been designed to also minimize distortion (causing otherwise straight lines to appear curved). Neither of these scenarios would be possible with the vast majority of compact cameras.
ultra-wide angle example
shallow depth of field example
photo on left courtesy of eliya
However, using more than one lens also means that:
  • You need to carry more lenses with you if you plan on shooting a range of different styles and subjects. This decreases the portability of your camera system.
  • You need to change lenses every time you wish to change shooting styles. This can interrupt your shooting rhythm.
  • You might introduce dust onto your camera's sensor each time you have to change lenses. This can reduce image quality and be difficult to remove. See the tutorial on camera sensor cleaning for more on this topic.
Of course, to negate any potential inconvenience, you could always choose your favorite all-around lens for your SLR and just stick with that. In addition, the built-in lens on a high-end compact camera can sometimes produce higher quality images than a stock or budget SLR lens, and is often also a lot more versatile. However, once you start spending a lot more, compact camera lenses rarely hold their own against high-end SLR lenses.

3. CAMERA SENSOR SIZE

In general, compact cameras have much smaller camera sensors than SLR cameras. This is a less commonly known "under the hood" difference between SLR and compact cameras, but is likely one that will make the most noticeable impact on image quality.
typical size of compact camera photosites
typical size of SLR camera photosites
What does this mean in practice?
  • Cost. Larger sensors are much more expensive to make, and usually require correspondingly more expensive lenses. This is the biggest reason why SLR cameras cost so much more than compact cameras.
  • Weight & Size. Larger sensors require much heavier and larger camera lenses and camera bodies, because the lens needs to capture and project light over a larger sensor area. Other than reducing portability, this can also be a disadvantage because it makes one look more conspicuous with their large SLR camera/lens (thereby making candid people shots more difficult).
  • Depth of Field. Larger sensors create a shallower depth of field at the same aperture setting. For example, a lens at f/4.0 on a compact camera likely won't create a blurred background in a portrait, whereas f/4.0 on an SLR camera will likely create a smooth, creamy background (depending on subject distance). This can be an advantage for portraits, but a disadvantage for landscapes.
  • Image Noise. For the same number of megapixels, larger sensors have much larger photosites/pixels* (as shown above). This increased light-gathering area means that these pixels will be more sensitive to tiny amounts of light — resulting in less image noise. This means that an SLR camera can usually get away with a much higher ISO setting than a compact camera without appearing noisier.
  • Dynamic Range. Another consequence of having physically larger pixels is that SLR cameras can usually capture a greater range of light to dark without having this become solid white or black, respectively (a higher "dynamic range"). This reduces the chance of blown highlights in the sky or other bright objects, and can preserve more details in the deep shadows.
*Technical Note: strictly speaking, a photosite isn't the same as a pixel, since a pixel is usually created based on several photosites, but we'll use the more familiar word "pixel" here even though we really mean "photosite." See the tutorial on digital camera sensors for more on this.
example of a photo with a large dynamic range
example of a photo using a high ISO speed to freeze action
photo on right courtesy of coltfan909
The key here is that a different sensor size is just a trade-off; one size isn't necessarily all-around better than another, so you need to consider how the pros/cons of each will fit into your intended shooting style. For much more on this topic, also see the tutorial on digital camera sensor sizes.

OTHER COMMON DIFFERENCES

In addition to what's already been discussed, each camera type may also have other advantages, depending on the specific brand or model. These include:
Compact Camera Advantages
  • Live view rear LCD (although most newer SLR's have this feature)
  • Greater range of pre-programmed creative modes
  • No mirror/shutter mechanism that can fail after ~10-100K shots
SLR Camera Advantages
  • Faster camera autofocus
  • Much less shutter lag (delay between pressing the shutter and starting the exposure)
  • Higher maximum frame rate
  • RAW file format support (although most high-end compact cameras have this)
  • Ability to take exposures longer than 15-30 seconds (using manual or bulb mode)
  • Offers complete manual exposure control
  • Ability to use an external flash unit (but many high-end compact cameras have this)
  • Manual zoom control (by twisting the lens as opposed to using an electronic button)
  • Greater range of ISO speed settings
  • Ability to upgrade just the camera body and keep all of one's lenses
However, many of the above differences follow from the fact that one often spends a lot more on an SLR than a compact camera, and aren't necessarily inherent to each type. If one spends enough on a prosumer/high-end compact camera, they can often attain many of the above features typically found with SLR cameras.

SUMMARY: COMPACT vs. DIGITAL SLR

The preference between each camera type really comes down to one of (a) flexibility and the potential for higher image quality versus (b) portability and simplicity. This choice often isn't a matter of which is right for a given person, but which is better for a given shooting environment and intended photo use.
Compact cameras are much smaller, lighter, less expensive and less conspicuous, but SLR cameras allow for a shallower depth of field, a greater range of subject styles and the potential for higher image quality. Compact cameras are probably better for learning photography, since they cost less, simplify the shooting process and are a good all-around option for capturing many types of scenes out of the box. SLR cameras are much better suited to specific applications, and when size and weight aren't important.
Costs aside, many prefer to own both types of cameras. That way they can take their compact camera to parties and long hikes, but have an SLR available when they need to capture indoor subjects in low-light, or when they're going somewhere specifically for photography (such as for landscapes or events).

Tuesday, May 26, 2015

Moh Download [Free]

Assalamualaikum,


Minat dengan Penny Dreadful? so saya berikan link untuk di downloadkan. Ini semua FREE tiada kaitan dengan wang, itu semua DUNIAWI.


http://dl.persiancamp.info/serial/penny.dreadful/s2/Penny.Dreadful.S02E01.720p.mkv

http://dl.persiancamp.info/serial/penny.dreadful/s2/Penny.Dreadful.S02E02.720p.mkv

http://dl.persiancamp.info/serial/penny.dreadful/s2/Penny.Dreadful.S02E03.720p.mkv

http://dl.persiancamp.info/serial/penny.dreadful/s2/Penny.Dreadful.S02E04.720p.mkv



Setakat itu sahaja yang mampu di berikan, jika awak2 semua nak movie atau pun drama bersiri boleh berikan komen di bawah ni, in shaa Allah mana yang mampu saya akan berikan link ye. mana yang saya mampu lah.

Tuesday, May 5, 2015

The 100 best free fonts [FREEBIES]

The best free fonts, from vintage-inspired typefaces to slap-you-in-the-face slab serifs, for Windows and Mac, for a range of projects.



We've scoured the web to present you with a fine and varied selection of free fonts. Including scripts, serifs, and a range of ligatures, these fonts will give you greater flexibility in your designs, and add to your arsenal of design tools.
This list represents the 100 best free fonts we've found in a variety of styles.
Some of the typeface collections listed below can be used on your web projects, but please be sure to check the terms. Now join us as we present you with 100 of the best free fonts, which you can download and use today. Let us know how you get on!

01. Bellaboo


BellaBoo is an all caps font that's perfect for any kind of design project

This bold, all-caps font from Marcelo Reis Melo contains Latin and Swedish characters. Guaranteed to add a quirky, handmade flavour to your designs, it's free to download – both for commercial and personal use – and comes in both TTF and OTF formats.
FORMATS: TTF and OTF

02. Pier


Add a touch of class with Pier, a geometric font with a modern feel

Pier is a clean sans-serif font that's perfect for any-sized design, big or small. Created by Montreal-based senior art directorMathieu Desjardins, it comes in four weights, has a selection of glyphs and is free for personal use.
"The idea was to create a slightly off geometric font that would look good big or very small," he says. "It was made to fit your everyday designs and text needs."
FORMAT: OTF

03. Manifesto


Manifesto is an angular headline font with style

Tomaz Leskovec's clean, uppercase show font Manifesto was inspired by the geometric aesthetic of the Italian rationalist movement in the mid 1920s. Angular and eye-catching, it'll add impact to headlines, posters and more.
FORMAT: TTF

04. Delicate


Need a minimal serif stencil? Look no further than Delicate...

For a minimal option, French studio FAAK&PAAT's Delicate is an elegant serif stencil with a contemporary geometric twist. The classy design is available in three versions; rounded, bold and strict, and is free for both personal and commercial use. 
FORMAT: TTF

05: Timber


"Timber is very versatile," says designer Mehmet Reha Tugcu on Behance

Istanbul-based designer Mehmet Reha Tugcu's trendy inline font Timber has a retro-futuristic vibe. Free for both personal and commercial use, it's perfect for logos, posters, headlines and any design situation where you have a bold typographic message to convey.
FORMATS: TTF and OTF

Tuesday, April 21, 2015

Dramatic Black & White By Rick Sammon [kopipesediseng]

Dramatic Black & White
By Rick SammonPublished in Quick Fix
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FINALFINAL
Making beautiful black-and-white images is easier than ever before, thanks to powerful adjustments in Lightroom and Photoshop, as well as specialized conversion software like Google's Nik Silver Efex Pro, Perfect B&W from onOne Software, Tonality Pro from Macphun and B&W Effects from Topaz Labs.

You can play around with the sliders in these programs and in plug-ins, and you may wind up with good results. However, with a deeper understanding of black-and-white imaging, you can create a more powerful, more dramatic and more artistic image. I'll cover the basics in this column, showing just some of the endless possibilities that await you in black-and-white processing.

ORIGINAL
Here's the file (cropped from my RAW file) from which I created the iceberg image.
Before we get going, however, here are some important factors to think about as you're shooting when your goal is to create a great black-and-white image.


SEE VALUES
You need to see in values rather than seeing colors. You also need to envision how shadows and highlights will "play" in your black-and-white images. As you shoot, envision how the scene will look without color, which can be enamoring, as well as distracting (in a good way). With practice, you'll start to see in black-and-white.

SEE THE LIGHT

Dramatic lighting leads to a dramatic black-and-white image. In other words, strong shadows are very important in black-and-white photography. In fact, the expression "Shadows are the soul of the photograph" is especially important when it comes to black-and-white photography. 


Lightroom—which I used to create this image of an iceberg in a glacier lagoon in Iceland—offers awesome black-and-white capabilities, even when you don't use a plug-in. This screenshot of the Lightroom Develop module shows my enhancements to my original color file. First, I selected the B&W Contrast High preset. To add more impact to the image, I boosted the Contrast and Blacks, and then reduced the Highlights.



SEEK OUT TEXTURES

Textures are also very important in black-and-white photography. Textures are emphasized by shadows, usually created by side lighting.

FIND SHAPES, FORMS AND PATTERNS

When you combine shapes, forms, patterns and textures with dramatic lighting, you're on your way to creating a dramatic black-and-white image. 

Technically, here's something else to consider when it comes to black-and-white photography: Color files can have up to 16 million different colors, whereas a grayscale image has only 256 shades of gray. This is why considering and adjusting contrast—the difference between shadows and highlights—becomes more critical in black-and-white photography.

LEARN ABOUT COLOR FILTERS

Understanding the effect of color filters is very, very important in creating the black-and-white effect you desire. Basically, here are the effects of digital color filters on an image: 

Red: Darkens a blue sky for a more dramatic image.

Orange: Darkens the sky slightly more than a red filter. Like a red filter, it can also reduce atmospheric haze.

Yellow: Darkens the sky less than a red filter, which can be beneficial, depending on the desired effect.

Blue: Honestly, I've never found a use for a blue filter in black-and-white photography. In landscape photography, it often lightens the sky too much.

Green: Lightens foliage and slightly darkens the sky. 

Infrared: Simulates, somewhat, the effect of black-and-white infrared photography. 

Experiment with the effects of applying filters in your processing software. You may be surprised to see how an image changes as you switch between filters.


CONSIDER CONTRAST


My iceberg image has strong contrast—one of the elements, as I mentioned, that contributes to strong black-and-white photographs. Strong contrast is often desired, which is one reason to shoot in the early morning or late afternoon (as I did here) when strong shadows add contrast to a scene.

Enjoy your exploration of black-and-white photography. In doing so, think about black-and-white photographer Ansel Adams' philosophy: A picture is never really done. Go back again and again, and try different changes—even subtle ones.

Also keep in mind what another great black-and-white photographer, Ruth Bernhard, said, "There is no such thing as taking too much time, because your soul is in that picture."

Rick Sammon is a longtime friend of this magazine. See more of his work at ricksammon.com.